Monday, April 26, 2010

What Can An 18 Yr Old Rent In Destin, Fla

Parallel Lives


Sometimes, I like to have some 'time for me, going out from the lighthouse, leaving the coast and the horizon deep to walk through the streets of the city, leaving for few hours in the serenity, the silence and the endless blue that surrounds the lighthouse.


I sit in a cafe, those with outdoor seating, still made of wood, in the small central square, near the Avenue porch with antique shops, I have a good book with me, but sometimes the daily catch from the nearby table, supported by a support worn that has seen perhaps a century, and if something caught my attention underline a phrase, word, amused by the surprise, but more often I jot down in words, images and sounds on a small yellow notebook while the world rushes around me and the cup of tea with cinnamon that keeps me company on the table next the ashtray and the cigarettes or, in better days, the sweet cigar.


I often watch the world around me, I lift my eyes, veiled by dark glasses, kidnapped from the pages of a movement, a laugh, a cackle or just a smell and observe the scene unfolds before me. Mezzetà I see the lady at the table with friends, busy whispering to each other, I see that the gang a bit further down, next to the fountain playing tag, the two young men intent on looking into the shop window of trinkets, man distinguished in a suit who walks fast through the square with the eye clock, a young girl no more than 30 years coming out of the shop on the corner and begins to sweep in front, who called from a male voice, blushing, smiling and greeting someone look out the window upstairs on the other side of the porch. .. look at a crowd of people who reveal some of their inner world, their joys, their stress without even realizing it, every single person is a universe, and like all the universes in constant evolution and expansion, made of a mutability sometimes abrupt, sometimes rarefied gestures, looks, assets.


As always I am reminded of a strange thought, a small charming and strange thought ... how many lives and universes touch every moment, how many unique beautiful parallel lives could be about to cross to create a new and different world of possibilities, and only rising moon eclipsed, in deep seas and high mountains, snow and torrential rains of sweet.


The universe of each of us is immense and rarefied at the same time, the Soul is the place where the maps have not yet been written, where the sea is deep blue on which we sail, ruffled by the breath wind and the sextant discovers new lands are ready to welcome us, a universe of 'Soul pending a new translation to another universe of the soul meets his routes, such as the Parallel Lives that for a game by accident of fate are intertwined.


universes in which there will always be a Guardian and its lighthouse on the cliff ready to lead the way.


Andrea.


Saturday, April 24, 2010

Mutual Fund Ppf Better

Me, Myself and I - Moment in Time Shifting

A
Coming of Spring
...

Gifts For Octagenarians

PH > The Fall of the House of Usher

Some Bizarre 1991 / Fie!
1999 (currently out of print)

An unenviable Role
That Must Be The House
Architecture
Sleeper
One Thing At A Time "
I Shun The Light
Leave This House
Dreaming
Chronic Catalepsy
Herbalist
Evil That Is Done
Five Years Ago
It's Over Now
Influence
No Rot
She Is Dead
Beating Heart Of The Haunted Palace
I Dared Not Speak
She Comes Towards The Door / The Fall

Music Peter Hammill, Judge texts Chis Smith based on the novel by Edgar Allan Poe

Peter Hammill: Roderick Usher and the House
Lene Lovich: Madeline Usher
Andy Bell: Montresor
Sarah Jane Morris: the chorus
Herbert Grönemeyer: the Herbalist

Stuart Gordon: violin
PH: keyboards, guitar, percussion

Thursday, April 22, 2010

How To Easylife Mark Ii Pair Remote Amd Motor

PH > Room Temperature (Live)

Enigma Records 1990 / Fie!
(currently out of print)

disc 1: The Wave
Just Good Friends
Vision
Time To Burn
Four Pails
The Comet, The Course, The Tail
Ophelia
Happy Hour
If I Could
Something About Ysabel's Dance
Patient

disco 2:
Cat's Eye/Yellow Fever (Running)
Skin
Hemlock
Our Oyster
The Unconscious Life
After The Show
A Way Out
The Future Now
Traintime
Modern

Recorded in concert during the tour of Europe and America in 1990 by Peter Hammill Trio :

Peter Hammill: vocals. guitars, keyboards
Stuart Gordon: violin
Nic Potter: bass


original tracks of study are taken from:

Fool's Mate : Vision
The Silent Corner and The Empty Stage : Modern
In Camera : The Comet, The Course, The Tail
The Quiet Zone / The Pleasure Dome : The Wave, Cat's Eye/Yellow Fever (Running)
The Future Now : If I Could, The Future Now
Enter K : Happy Hour, The Unconscious Life
Patience : Just Good Friends, Patient, Traintime
Sitting Targets : Ophelia
Skin : Four Pails, Skin, After The Show
In A Foreign Town : Time To Burn, Hemlock
Out Of Water : Something About Ysabel's Dance, Our Oyster, A Way Out

the disc is currently out of print

(see the other live records )

Tuesday, April 20, 2010

Treiber Sata 150 Raid Manhatten

PH > Out Of Water

Enigma Records 1990 / Fie !
(currently out of print)

Evidently Goldfish
Not the Man
No Moon in the Water
Our Oyster
Something about Ysabel's Dance
Green Fingers
On the Surface
A Way Out

All songs by Peter Hammill

Produced by David Lord and PH
Recorded from January to August 1989 Sofa Sound and Terra Incognita by:

Peter Hammill: vocals, guitars, keyboards
Stuart Gordon on violin (5)
Fury (John Ellis): guitar
Mozart (Nic Potter): low
David Jackson: sax

"A turning point (or one of many turning points). The bridge between all that has been done before and what it is now, certainly the beginning of the New. Not that I had conceived it, was crucial at the time ... in retrospect " . Peter Hammill

Brani inseriti nel live show: Something About Ysabel's Dance - Our Oyster - A Way Out

Thursday, April 15, 2010

Sore Breasts And Mucus

Time - Time is not absolute

In recent days, sitting on the upper terrace of the lighthouse, next to the lantern, I happened to read these interesting lines ...


Time is not but a measure of quality.

When we look back, we're not doing a film, but remembering the gift of our passage on earth. The time is not measured by how you measure a road, because we are giant leaps backward (remember) and forward (projects).

Managing is not living.

"time is money" is nonsense. We must be conscious of every minute, learn to enjoy what we are doing (with love) or only in the contemplation of life. The day consists of 24 hours and countless moments. If we slow down, everything lasts much longer. Sure, it can last longer washing dishes, but why not use that time to think about pleasant things, sing, relax, rejoice in the fact of being alive?


tune with life.

Arthur Rubinstein (one of the greatest pianists of the twentieth century) was approached once by an ardent admirer who asked: "How do you use the notes with such mastery?" The pianist said, "I use the known as the others, but the pauses ... ha! That's where the art resides. " Or know how to deal with the pain, instead of hiding behind the many tasks.


Addressing the experience with greater depth.

A study of visitors to the National Zoo in Washington has revealed that the average time people spend watching some exposure to animals shall not exceed ten seconds. So why go to the zoo? Better than flipping through a picture book, no? A guide explained to me that people complain that the hippos are always submerged in reality, the average dive is from ninety seconds to a maximum of five minutes - and yet, haste does not continue to allow the visitor to enjoy the reason the visit.

Knowing when to act or think.

One of my patients with obesity, said it was willing to do anything to heal. I told her that whenever she felt like eating, should have noted that his feelings and not act. "But I feel hungry," he said. "Exactly," was my comment. "If he can cope with his feeling, to observe hunger, to accept it in all its intensity, perhaps to suffer - but not to act - will soon be able to alleviate the anxiety and he will be mistress of her freedom and not slave of his impulses. "


Acting in front of the negative emotions.

When we sit on a couch, turn on the television (which, in truth, is a way to "detach" the world). Or become terribly anxious, we think we're wasting time, we must call someone, do gymnastics, tidying the house. Why? Because if we stay still, the whole wave of emotions repressed attack us, depress us, make us sad or guilty. But the more we "keep busy", especially as these emotions accumulate, until one day we run the risk of seeing them explode out of control.


quality time and nonlinear time ... we must reflect on these words.


Andrea.

Tuesday, April 13, 2010

Bideos De Modelos Famosas Mexicanas

PH > In A Foreign Town

Enigma Records 1988 / Fie!

Hemlock
Invisible Ink
Sci-Finance (Revisited)
This Book
Time to Burn
Auto
Vote Brand X
Sun City Nightlife
The Play's the Thing
Under Cover Names

brano extra del CD:
Smile

All songs by Peter Hammill

Joined October 1987 to January 1988 from Sofa Sound:

Peter Hammill - vocals, guitars, keyboards, percussion
Stuart Gordon - violin on (1)

"There is a general consensus that this is the least appreciated of my solo albums. I must admit that some of the choices and sound recording now seem a bit 'awkward to me. However, these recordings are absolutely crucial in my development and I would say that if I had not done exactly how much of my later work would not be the same ". Peter Hammill

tracks included in the live show: Time To Burn - Hemlock - Skiing Finance (Revisited)

(continued)

Saturday, April 10, 2010

Easycap Multiviewer Surveillance

PH > And Close As This

1986 Virgin / Charisma

Too Many Of My Yesterdays
Faith
Empire Of Delight (music by Keith Emerson, PH texts)
Silver
Beside The One You Love
Old Movies Clichés
Confidence
Sleep Now

tracks by Peter Hammill

recorded at Sofa Sound from August 7 to September 15, 1986, from:

Peter Hammill - keyboards
Paul Ridout - midi and Macintosh

The disco was born a few months after the previous Skin, from the consideration that while often PH found himself playing his own songs in concert, aided only by a piano or an acoustic guitar This side of his art had not yet been reflected on records.
Hence the decision to record eight songs only with its naked voice accompanied by a keyboard, represented by a piano or a MIDI keyboard. The result is one of the best albums of his career, a hard romance and melancholy on the theme of the loves of the past. Except the song that closes, a lullaby dedicated to her daughter, who turns to his future.

Some songs, the most beautiful, they are also easily accessible, as Too Many Of My Yesterdays :

"Many years ago I thought you were the only one who knows
when people change, give up to become foreign
they go adrift on their lives, surrounded by the past
who knows what is the last goodbye
not try to tell me that nothing dies
not try to tell me that nothing has changed
not try to tell me that nothing is new
too many of my yesterday belong to you "

is equally catchy melody Faith:

" Every moment is precious
those that I spend with you I'm a premium
consider myself lucky to be alive
while you are in my eyes
not let me go
now that I am completely lost in you "

Empire Of Delight is a beautiful love ballad, written around unusually a classical piece for piano signed by Keith Emerson.

"The memory extends his empire
keeps the frame but blurs the lines
sometimes invades the senses
a moment captured and lost a second look
suddenly you feel close
worlds away yet so close
a stolen kiss from my lips
and the time slips in flight ... "

The best part is probably Other Old Cliches, cliches about a love that ends, while Silver, Beside The One You Love and Confidence are more obscure and hard.

Sleep Now is a lullaby dedicated to her daughter

"Now sleep
another day in your young life is gone
go to sleep now
new worlds will arrive tomorrow with their troubles
you're such a wonder and a mystery to me that

Somewhere your future friends sleep
like you and your lover
now they are just crying babies in their arms
oh, the world turns under our feet
and spend our lives while we sleep "


tracks included in the live show: Silver - Too Many Of My Yesterdays

Board for purchase: a PH intimate with some of his best .

Reviewer's rating: ★ ★ ★ ★ ½

Friday, April 9, 2010

Livinginsingaporetoday Promo

Nijigahara Holograph - Camp Rainbow


seeing a butterfly in the sky ... Nijigahara time, space, and the continuum theory of chaos in a story that captures the horror and urban soul inherent in all of us.
Adapted from "The Field of the Rainbow", an excellent graphic novel of the young Japanese Inio Asano.
Andrea.

Monday, April 5, 2010

Ny Mortician Requirements

Muscle Captain




Watch the muscles of the captain, all plastic and methane.
Watch in the night that is, how much blood was in his veins.
The captain does not always fearless, straight on the deck, smoking a pipe, in this
fresh dawn and dark looks a bit like life.
And then the captain, if you will, rises again from the pants and threw it into the waves
strong and calls when he wants something or someone
there is always someone who answers.
But captain do not you wanted to say, but there
in the sea a white woman,
so huge, in the light of the stars, that one never tires of watching.
This ship is two thousand nodes, in the midst of tropical glaciers,
and has a motor of a million horses
that instead of hooves have wings.
The ship is lightning, torpedo, fuse, sparkling beauty
phosphorus and fantasy, molecules steel piston, anger,
blitzkrieg and poetry. On this night
power and fast, this cross of the twentieth century,
the future is a cannon ball on and we're almost reaching.
And the captain said to the hub on board, "Young man, I do not see anything.
There is only a little fog that announces the sun. Let us go forward in peace."
(F. Degregorio)

Sunday, April 4, 2010

Complete Woooden Fingerboards

Guardastelle - 2


2 - Discovery

Friday, April 2, 2010

Jthm Director's Cut Online

PH > Skin

Foundry 1986 / Virgin / Charisma

Skin
After the Show
Painting by Numbers
Shell
All Said and Done
A Perfect Date
Four Pails "(Chris Judge Smith and Max Hutchinson)
Lover Now

tracks by Peter Hammill

recorded at Sound and The Sofa Wood Hall by:

Peter Hammill
with Guy Evans - drums and percussion
David Jackson - saxophones
David Coulter - didjeridu
Stuart Gordon - violin
Hugh Banton - cello
David Luckhurst - vox alternative
Paul Ridout - midi

Peter Hammill has recorded only perfect records, and this is in some ways a relief to his humanity and his ability to experiment and making mistakes.
the least enjoyable of Skin is not on the songs (in any case less inspired than usual) but from the sound typically eighties due to the presence of electronic rhythms and a Yamaha DX7 synthesizer brand new. Of the eight pieces
one stands out and is a fish out of water in the arrangement General After The Show, "a ballad backed by a body fluid and the sax of David Jackson, Hammill where questions about what makes the 'actor after the play:
"He put together some money
this may please you to know ...
drink something at the corner coffee
after the show
It was so many people
wears clothes like poisoned
is still reciting the soliloquy of Hamlet
close to his chest.
Where are the actors after the show? "

That there is something autobiographical in these verses?

Painting By Numbers is printed as singles, the last of Peter, and just happened to like those that preceded it.
All Said and Done is an interesting piece, and it would be more than an arrangement failed.

Four Pails is a piece of Chris Judge Smith (Member of the very first VDGG):
"Four buckets of water and a pinch of salt
this is all we are
everything is made man
chemistry without spirit, soul, ghosts.
No faith can hide the truth of which we fear most "

The album closes with Lover Now, a nice present in the place - maybe - mistake: a long, ambitious piece of ten minutes Van Der Graaf Generator in style, with lots of sax of David Jackson, whose appeal appears tight after several plays.

There's actually a hidden track, You Hit Me Where I Live , a lively piece in the back of the 45 origin of Painting By Numbers.


tracks included in the live show: Four Pails - Skin - After The Show - Shell

Board for the purchase: a disc from the sound a bit 'dated but with many moments significant.

Reviewer's rating: ★ ★ ★ ½